sky-cam.conf: comment out grey filter — must be explicitly enabled
The SEASONS_GREY_STDDEV_MIN and SEASONS_GREY_DARK_FLOOR settings are now commented out so the filter is fully inert by default and requires a deliberate edit to activate. https://claude.ai/code/session_01C4jbd3waXG3eKZYbGUjLUQ
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@@ -259,19 +259,15 @@ AUDIO_BITRATE=192k # montage-mvt.sh — music track on movement
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# Corrupt or empty frames (e.g. first frame after a camera reconnect) are always
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# skipped automatically via ffprobe. No config needed.
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#
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# SEASONS_GREY_STDDEV_MIN: also skip uniform-grey frames caused by a bad RTSP
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# signal (valid JPEGs, but near-solid grey — no real image content).
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# A frame is only skipped when BOTH conditions hold:
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# 1. pixel standard deviation (0–255) is below SEASONS_GREY_STDDEV_MIN
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# 2. mean brightness (0–255) is above SEASONS_GREY_DARK_FLOOR
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# This keeps genuine night frames (dark + low stddev) while dropping
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# bad-signal grey frames (mid-bright + low stddev).
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#
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# SEASONS_GREY_STDDEV_MIN=0 disables the filter entirely (default).
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# Try 5–10 if your camera produces solid-grey frames on reconnect.
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# Requires ImageMagick (convert) to be installed.
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SEASONS_GREY_STDDEV_MIN=0
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SEASONS_GREY_DARK_FLOOR=30 # frames with mean brightness below this are always kept
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# SEASONS_GREY_STDDEV_MIN / SEASONS_GREY_DARK_FLOOR — optional bad-signal filter.
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# Uncomment both lines to enable. A frame is dropped only when BOTH are true:
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# 1. pixel standard deviation (0–255) < SEASONS_GREY_STDDEV_MIN (frame is uniform)
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# 2. mean brightness (0–255) > SEASONS_GREY_DARK_FLOOR (frame is not dark)
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# This keeps genuine night frames (dark + low variation) while dropping
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# solid-grey bad-signal frames (mid-bright + no variation).
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# Requires ImageMagick (convert). Start with these values and tune from there:
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#SEASONS_GREY_STDDEV_MIN=5 # skip if stdev < 5 (very uniform)
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#SEASONS_GREY_DARK_FLOOR=30 # …but only if mean brightness > 30 (not a night frame)
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# ── Montage attribution overlay ───────────────────────────────────────────────
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# A translucent bar across the top of each movement montage, naming the
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